Please note this is a 16+ show.
Since childhood, doctors warned Joshua Radin - who, as a toddler suffered a punctured eardrum, that he ran a grave risk of piercing pain if he ever immersed himself in water. “I said, ‘Alright, I’m just going to live my life on land,’” he explained. That changed last year. He was penning Underwater in Los Angeles in near seclusion - an antidote to the last two years of being crammed on a tour bus with his band. And one day, he woke up and realized there was inspiration in the Pacific. So he bought earplugs and took the plunge. “It was mind-blowingly cool,” he says. Even when I’m sleeping in bed, I can hear my heartbeat. I never realized the silence one experiences underwater. My brain was totally free to come up with a melody line, and that’s where this album began, underwater.”
Underwater is a more mature offering from Radin, who recruited a dream team of musicians to enhance his sound. Among them: pianist Benmont Tench (Tom Petty and the Heartbreakers), drummer Jim Keltner (Bob Dylan, John Lennon), and string arranger Jimmie Haskell (Simon and Garfunkel).
The singer has earned a loyal following for his wistful meditations: notably the rootsypop “Streetlight” (off 2010’s The Rock and the Tide, which hit No. 5 on the iTunes album chart and No. 1 on its Alternative chart), the hushed, emotionally bare “Winter” (off 2006’s We Were Here, which won a four-star review in Rolling Stone); and the lilting, melodic “I’d Rather Be With You” (off 2008’s Simple Times, which topped the iTunes album chart and went top 10 in ten different countries). The latter sold more than 300,000 albums worldwide. Radin’s compositions have proven so affective that they’ve seamlessly sound-tracked everything from Grey’s Anatomy to American Idol to House. In fact, Radin’s songs have been used more than 100 times in various films and television shows, making him a behind the scenes artist who’s music you’ve definitely heard but might not know it yet.
Underwater captures that feeling of surmounting fears, but it’s also a culmination of Radin’s love of the stage. Much of the album, co-produced by Radin and Kevin Augunas (John Brion, Edward Sharpe & The Magnetic Zeros) was recorded at the storied Studio City, the once-ramshackle space that hosted Tom Petty’s “Damn the Torpedoes” and Neil Young’s “After the Gold Rush” sessions. They captured single takes on analog tape, to give the work a more organic feel. “When you cut to tape, you record like you’re playing live. That’s why this album has more of a performance feel,” he says.
To help pull off this feat, “we brought in the most amazing musicians ever,” Radin notes, admiringly of Tench, Keltner, and Haskell. The work of the latter (who also composed the strings for “Bridge Over Troubled Water”) is never more gutting than in “Any Day Now,” which closes the album. “I wrote that on a guitar, and we ultimately decided to take all the guitar out,” Radin says. “Roger Joesph Manning Jr. (Fiona Apple, Beck) came in and played a bit of the Andromeda, an electric harpsichord, and some Wurlitzer. Then Jimmie arranged the strings around it. It’s so cinematic. The opening of the song sounds like the camera swooping down into an old movie from the 1950’s.
Tickets for this event are available from the venue box office, and can be purchased at face value if payment is made in cash. Please note promoters may increase ticket price if purchased on the night.